Generations Variations
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I (Left) Each generation falls aways from the previous one to create an intersting spiral effect, in which the gutter crease gradually reverses on itself. II (Right) in this example, the two generations use Asymmetric Mountain techniques.
Note that the smallest pop-up is build across the mountain crease of the largest pop-up to create not a "pop-up", but its visual opposite, which might be termed as "push in".
III (Left) The second-generation pop-ups to the left and to the right, line up against the central pushed-in area to create not three separate pop-ups, but one large one which becomes bigger than the initial first generation.
IV (Centre) All these pop-ups are constructed using the Asymmetric Angles technique. Note that the second-generation pop-up on the right joins onto the large first-generation pop-up. V (Right) In this example, each generation cuts into the previous one. Note how the location of each mountain crease is calculated.
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']]}I (Left) Each generation falls aways from the previous one to create an intersting spiral effect, in which the gutter crease gradually reverses on itself. II (Right) in this example, the two generations use Asymmetric Mountain techniques.
Note that the smallest pop-up is build across the mountain crease of the largest pop-up to create not a "pop-up", but its visual opposite, which might be termed as "push in".
III (Left) The second-generation pop-ups to the left and to the right, line up against the central pushed-in area to create not three separate pop-ups, but one large one which becomes bigger than the initial first generation.
IV (Centre) All these pop-ups are constructed using the Asymmetric Angles technique. Note that the second-generation pop-up on the right joins onto the large first-generation pop-up. V (Right) In this example, each generation cuts into the previous one. Note how the location of each mountain crease is calculated.